Halfway into a recent performance at New York City’s Bohemian National Hall violinist Mari Kimura had already performed “Preludio” from Bach’s Partita No. 3 in E Major followed by several pieces in which she deftly demonstrated her innovative “subharmonics” techniques for extending the octave range of her instrument. Then things got really interesting.
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String Theory: Violinist Taps Artificial Intelligence to Interact with Her Unique Sound [Video]